I interviewed Glenn Alderson to ask him about how RANGE Magazine came into being, how he feels about publishing a small niche magazine, and why he thinks collaboration is the key element to future success in the magazine industry.
Glenn, please tell us a bit about yourself and your magazine.
I’m a writer, editor, and publisher who has spent the better part of my career championing Canadian music, arts, and culture. I started out in the DIY zine and music scene, and over time that passion evolved into RANGE Magazine — a national publication based in Vancouver with editors and contributors across the country. RANGE was built to tell stories that reflect Canada’s creative pulse through an inclusive, fan-driven lens, lifting emerging voices and positioning them alongside others who our readers might already be familiar with.
I founded RANGE in 2021 with the goal of creating a modern, independent magazine that bridges the gap between mainstream visibility and grassroots discovery. As the magazine grew, I got more involved in the broader publishing community and eventually joined the MagsBC board to help advocate for our sector. I became chair because I care deeply about the sustainability of independent media in BC—and because I believe collaboration, not competition, is what will keep our industry thriving.
How did RANGE become a member magazine of MagsBC?
When RANGE launched, I knew we wanted to be part of the provincial magazine network from day one. MagsBC has always been a hub for connection, mentorship, and shared resources, so joining was a natural step. It’s been invaluable, not just for professional development, but for feeling part of something bigger than your own masthead.
What do you like best about your job?
I love connecting dots between artists and audiences, between publishers and partners, and between creative ideas and real-world impact. Whether I’m editing a cover story, producing an event, or helping another magazine level up, I’m happiest when I can see creativity turning into community. I also love the art of storytelling and providing a platform to help people share their stories in fun and creative ways, both in print and online.
What do you feel is challenging for you right now?
Time. There’s never enough of it. Balancing editorial deadlines, partnerships, and advocacy work while still leaving room for creativity is a constant juggle. I handle it by surrounding myself with a great team, staying organized, and reminding myself that not everything has to happen at once. Slow growth is still growth.
I would consider AI to be another challenge we are facing right now. It is already reshaping how we research, produce, and distribute content. Used responsibly, it can be an incredible tool for efficiency, helping small teams do more with less. But it’s also a moment to double down on what makes magazines human: curiosity, nuance, voice, and trust. The future belongs to publishers who know how to balance innovation with integrity.
How do you think the future for any small publication magazine can look?
I’d love to see a stronger national ecosystem where local stories get amplified on a bigger stage, and where smaller publications have access to the same tools, funding and visibility as legacy brands. In BC specifically, I’d like to see more collaboration across disciplines—film, music, fashion, literature—because culture doesn’t exist in silos.
Do you have any advice for people who would like to work as an editor?
Say yes to opportunities, even before you feel ready. Learn every part of the process—writing, layout, production, social media, and sales—because it all connects. Most importantly, lead with curiosity and empathy. Great editors don’t just refine words; they empower people to tell their stories better.
Your favourite quote?
“Make your own momentum.” — something I tell myself often when the path forward isn’t clear.
Find RANGE on their website, Facebook, X, Instagram, Spotify and see the Newsletter.
