Peter Chettleburgh, Editor & Publisher of Aquaculture North America
Peter Chettleburgh loves the creative aspect of publishing and enjoys producing news because it allows him to “be nosy”.
Jody Carrow, Editor-in-Chief of the Claremont Review
“If you want to know the future, pay attention to what youth are doing in their art, what they are trying to tell you or show you about the human condition and what is possible for humanity.”
John Barton, Editor of The Malahat Review, 2004-2017
“I believe that our authors are the best authorities on their own work and I want them to be happy with the published results because how it reads will remain important to them long after I have moved on.”
Karl and Stephanie Johanson, Editor & Art Director of Neo-opsis Science Fiction Magazine
Unlike some other magazines Neo-opsis values story first and literary quality second. Karl: “I think it’s easier to fix bad grammar than to fix an uninspiring story.”
Richard Olafson, Editor & Publisher of The Pacific Rim Review of Books
“We provide a place for the long-form essay which is a more serious study of a book.”
Andrea Lister, editor, British Columbia History
“Go to editing, writing, and publishing events and find or build a community. Editing can be a lonely job and it is wonderful to have colleagues to learn from, share stories with and rant about the apostrophe usage.”