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Allan Cho headshot

Allan Cho, Executive Editor of Ricepaper Magazine

“We put many writers on the map who otherwise might have slipped through the cracks of the mainstream literary presses. No book publisher was going to give out a contract if you had no short story or poem published in a lit mag.”

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MagNet, June 7-9, 2016, Toronto – Report

by Jane Hope, Vice-President, MagsBC Board and recipient of the Volunteer of the Year award for 2016. MagNet, Canada’s national magazine conference, is one of

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Peter Chettleburgh - Aquaculture North America

Peter Chettleburgh, Editor & Publisher of Aquaculture North America

Peter Chettleburgh loves the creative aspect of publishing and enjoys producing news because it allows him to “be nosy”.

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Jody Carrow

Jody Carrow, Editor-in-Chief of the Claremont Review

“If you want to know the future, pay attention to what youth are doing in their art, what they are trying to tell you or show you about the human condition and what is possible for humanity.”

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John Barlow - The Malahat Review

John Barton, Editor of The Malahat Review, 2004-2017

“I believe that our authors are the best authorities on their own work and I want them to be happy with the published results because how it reads will remain important to them long after I have moved on.”

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Karl and Stephanie Johanson and dog - Neo-opsis Science Fiction Magazine

Karl and Stephanie Johanson, Editor & Art Director of Neo-opsis Science Fiction Magazine

Unlike some other magazines Neo-opsis values story first and literary quality second. Karl: “I think it’s easier to fix bad grammar than to fix an uninspiring story.”

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Richard Olafson - Pacific Rim Review of Books

Richard Olafson, Editor & Publisher of The Pacific Rim Review of Books

“We provide a place for the long-form essay which is a more serious study of a book.”

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Andrea Lister

Andrea Lister, editor, British Columbia History

“Go to editing, writing, and publishing events and find or build a community. Editing can be a lonely job and it is wonderful to have colleagues to learn from, share stories with and rant about the apostrophe usage.”

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Daniel Zomparelli photographed in a pub

Daniel Zomparelli, editor, Poetry is Dead

“I genuinely love reading, and magazines provide the opportunities for new work to be out before they turn into books or movies. It’s like the front lines of knowledge and literature.”

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Michelle Reid headshot

Michelle Reid, editor, SAD Mag

“Be professional, even if you are writing for free; you’re not just building a portfolio, but also a professional reputation.”

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Tom Henry photographed in field

Tom Henry, editor, Small Farm Canada

“Stay strong. As the economy grows there may actually be opportunities for more trade publications with a Canadian focus.”

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Stuart Harries

Stuart Harries, Editor-in-Chief of alive Magazine

“Ultimately, I don’t think print magazines are going anywhere. I think they will continue to fragment into niches and become more specific as they explore the opportunity to become carefully targeted.”

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Terry Denomme, Founder and Editor of Canadian Hot Rods Magazine

“What I love most about producing this magazine are the CARS! I love driving cars, photographing cars, and talking cars. I never get bored. I’ve found my passion, and I’m really lucky that way.”

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Delores Broten photographed in front of marina

Delores Broten, Editor of The Watershed Sentinel

“I think the world of Canadian publishing is a wonderful experience. It may not be lucrative, but it is a community of fascinating people. The secret is to not let the economy worry you!”

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About

The Magazine Association of BC represents, supports, connects and promotes the BC magazine industry and our members.

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316 – 336 E 1st Ave
Vancouver, BC V5T 4R6
Phone: 604-688-1175
exec@magsbc.com

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We acknowledge that the Magazine Association of BC carries out its work on the unceded territory of the Coast Salish Peoples, including the territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) First Nations.

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